All the artwork for Clockwork Watch: The Arrival is drawn and painted by hand. Want to see what it takes to produce one page? Here’s Jennie…
All the artwork for Clockwork Watch: The Arrival is drawn and painted by hand. Want to see what it takes to produce one page? Here’s Jennie…
Flicks and the City’s Jan Gilbert caught up with Clockwork Watch creator Yomi Ayeni at Kapow-Con in London, to get the skinny on this project. He explains how the story started, his inspiration and why he chose this genre.
Here’s a progress scan of what is to become a painting very soon!
And below are a few first sketches and doodles of various things connected to Breakaway, the sequel to The Arrival which is currently being drawn by yours truly behind the scenes!
The very first concept sketch of a certain Chan, 20 years on from The Arrival.
The following doodles show how I start off with costume designs. I do quick little thumbnails.
And finally a sketch of… Well.. It’ll become clear later on. 😛
A film by one of our patron, shot at Tomorrow’s World… Today! the launch event for Clockwork Watch: The Arrival on May 6th in London.
The Lady and Tiger Illusion Clock by Kit Williams went missing more than 10 years ago.
It will be unveiled by the Department for the Advancement of Sciences as part of the Tomorrow’s World Today event, on May 6th in London.
Tickets and details are on the Advancement of Sciences website
Remember Masquerade, the children’s book that sparked a treasure hunt by concealing clues to the location of a jewelled golden hare? The book was written by Kit Williams, he also designed and made three ornamental clocks. Department for the Advancement of Sciences has one…
The guys at Geek Syndicate have posted the first view of The Arrival’s front cover – designed by Jennie Gyllblad and Fabio Duarte Martins.
Cheers guys!
And here we move on to the last of our main characters in The Arrival…
Chan Ranbir
Chan is very much a driving force of The Arrival – for both the right and wrong reasons. A short-tempered genius, the father of the Ranbirs is stern, influential and a figure who looms over the family’s future.
Chan wants two things – for Clockwork to be a success, and to have his family part of that. In some respects he thinks that’s one and the same, and as such it creates one of the major problems for the family.
Reading Yomi’s original script made Chan into a very harsh figure. Which is perfectly natural. The Arrival is told through the eyes of his son, Janav, who only sees the move to England not in terms of building a future, but as a destruction of the young boy’s past. And as we take in the story through the perceptions of a slightly bitter eight-year-old, Chan comes across as a bit of an ogre. However, deconstructing that reveals a man driven by his passion to be a father to a better society, rather than merely being a simple obstacle for Janav to overcome.
True, Chan can be seen as overbearing, but the intriguing thing that stood out when peeling back the layers of his character is that he is a man of the future. He is such an important part of the Clockwork Watch universe – a main cog, if you will – that he is one of the few characters in the story who has his eyes firmly set on what’s yet to come.
Which is the biggest problem for Chan. After all, the large irony of a man who has his sights on everything ahead of him, tends to be short-sighted to the things closest to him…